What is a scenario structure?

Structure

The screenplay structure refers to the type of story structure that is commonly taught for writing movies with a length of functions. Although the structure of the scenario is a directive and should not be restrictive or used for formal drama, ignoring it would be a mistake for the new writers. Many famous screenwriters urge aspirating writers to learn the rules well, then forgot and write from the heart.

Traditionally, scenarios follow the structure of three acts : Settings , The main conflict (actions) and resolution . Each act is a complete part of the overall story that has a beginning, medium and end or climax. The end of the law, which is fastened perfectly at the beginning of Law II or the main conflict, while the final climax of Act II brings us to the resolution of Act III. Although there are several culminations throughout the film, they should be built in intensity. Calculate the action and are strategically located in specific intersections to move the storyforward in a new direction. Acts and fences Points work together to create a close structure of the scenario that holds the audience's interest.

• act i - setting (30 pages long)
• act II - main conflict (60 pages long)
• act III - resolution (30 pages long)

act I is referred to as settings in the structure of the script because we meet our main character and learn about his dilemma. Usually the story begins as usual, a hero or a heroine involved in their normal way of life, when somewhere between sides 3 and 10, there is a trigger that throws the world of the hero into riots or pretends to have problems. On page 28 or around, there is a point of mini-klimax and a plot that is spinning in a new direction that evokes the story into the main conflict of Act II. Your worst concerns that they will imagine on the third page have now become a reality.

Act II is generallyTwice as long as Act even on about 60 pages, and there is a place where most of the event takes place in the screenplay structure. Act II can be divided into two mini-acts, while the first 30 pages lead the main figure into deeper and deeper problems. In the middle of the law II, another main point of conspiracy again spins the action in a new direction, which will start us to the second half of the main conflict. Here is the main character at a complete loss, with little hope of success. Probably on page 86, at the end of Law II, the story events are built on a thrilling top conclusion. The hero or heroine wins or loses, lives or dies.

Act III The distinction is where any relaxed ends are tied and we see the climax affecting other main characters in the story. Law III can be 20-30 pages or just a few pages, depending on the story dictations. The general rule When it comes to the script structure is to get as quickly as possible after the final climax so that the emotional impact of the film is not diluted with a lengthyby distinction.

There are several variations of this basic scenario structure. For example, George Lucas wrote Star Wars as three acts of the same length. Other writers, such as Quentin Tarantino, tell stories from the sequence order to make them more interesting and less predictable. The acts may not be time -consuming if the audience can follow the action. It is also necessary for the last climax to be the strongest and wrap the story in a satisfactory way.

Basically, the structure of stories is simply a great story. The dynamics of the story shrinks to believable figures in a credible environment that face the most difficult challenge of their lives. If such a story can be told that it ignores all the rules of the script, the writer would probably find that the variation of the structure was buried in the story Anyway. In other words, the narrative of a great story causes a good structure as a by -product. Attempt to tell a great story by the fact that the structure will be right, will not work, ifD There is no story.

from Aristotle poetics to Syd Field's bookbook , writers teach the art of narration for ages for ages and dissect the strongest stories to see what effectively moves the audience. If you are interested in the script structure, there are countless books that help aspirating writers learn the art of writing a script.